Tuesday, September 15, 2009

Photographers Have to Make a Living Too, Part 5



Kodak Ads Featuring Photographers of Note


These are all ads from American Photographer featuring various photographers' use of Kodak film. In all cases it's only one or two images but I've reproduced the whole ad for sake of providing context.


A. Aubrey Bodine
American Photographer
Last page






A. Aubrey Bodine
American Photographer, September 1949
Two images on the last page




Bodine was a well-known Pictorialist from Baltimore


Eliot Porter
American Photographer, May 1949
First page







Ansel Adams
American Photographer, May 1949
Last page (though the first ad image is certainly good enough to be by Adams)







Edward Weston
American Photographer, December 1948
First page

"...from Edward Weston's first group of Kodak Ektachrome pictures"




Thursday, September 10, 2009

Hiroshi Sugimoto's New Photographs


Hiroshi Sugimoto's Lightning Fields
@ the Fraenkel Gallery, San Francisco


Lightning Fields, #s 13, 11, 128

I mentioned in an earlier post how nice the show announcements are that come from Rose Gallery of Santa Monica. Turns out it may be a West coast thing because the Fraenkel Gallery in San Francisco also creates well-designed show announcements with interesting typography, graphic use of the photographs and heft as an object. Plus, they're even bigger than the ones from Rose Gallery. In the work space of the gallery they have many of them framed as posters.


Sugimoto self-portrait

The show this piece is announcing is of new work by Hiroshi Sugimoto called Lightning Fields. Each image is a unique document of an electrical current. Sugimoto uses a 400,000-volt Van De Graaff generator to apply an electrical charge directly onto his film. And they are wonderful. And the announcement is wonderful too. (Pardon the crimps...Post Office may be the best in the world but it still manages to mangle the one thing you don't want mangled.)


Stiff card, 16 x 20 inches,
folded twice to produce an 8 x 10 announcement
that unfolds into a poster


Front


Back


Opened once


Fully opened


You can find some very interesting video on YouTube of Sugimoto talking about his work. He's quite articulate. About 15 minutes total: Part 1 and Part 2.

Also, here's an article on Sugimoto and his new projects including the Lightning Fields as well as Sugimoto's reprinting of some of Fox Talbot's negatives. It originally ran in Modern Painters magazine but is of course now online.

Saturday, September 5, 2009

David Goldblatt

David Goldblatt


Monuments celebrating the Republic of South Africa (left)
and JG Strijdom, former prime minister (right),
with the headquarters of Volkskas Bank, Pretoria. 25 April 1982.



Currently running at the New Museum, NYC, is a show of David Goldblatt's work called Intersections Intersected: The Photography of David Goldblatt. It's on view till October 11, 2009. In conjunction with and in response to the show, a lot of Goldblatt related information has surfaced on the web.


Incomplete houses, part of a stalled municipal development of 1000 houses.
Lady Grey, Eastern Cape, 5 August 2006



On the New Museum's page about the show, you can find not only examples of Goldblatt's photographs but also nine short audio clips of him talking about his work. Particularly interesting is "Wall Labels" about the text that accompanies his images. You can also find a list of upcoming events related to the show.



On the Design Observer Group, Fred Ritchin has written a piece about Goldblatt's photography.



From the series 'South Africa: The Structure of Things Then'
1998 Speculative development by a property developer
in putatively ‘authentic Cape Dutch' style, Agatha, Tzaneen, Transvaal, 10 April 1989.



Here's a little tidbit of Goldblatt talking about his "Best Shot." For that matter, the Guardian of London has a whole series of photogs talking about their "Best Shot" many of which are quite interesting. Includes an astonishing range of photographers that covers the spectrum of the medium but the one not to miss is Platon talking about shooting Putin for Time's Man of the Year issue.




This I found fascinating: the South African poet Antjie Krog talking about having Goldblatt shoot a cover for her for one of her books.



From the series Particulars, Bambinaia, Parco Joubert, Johannesburg. 1975.


And finally, you can see a video clip of the photographer talking about how he goes about his work here.

Thursday, September 3, 2009

Diane Arbus

2003-2005
Traveling exhibit
8 page, 5.5 x 7.75 inch, stapled brochure







2005
Stiff card, 5.75 x 8.75 inches





2005-2006
Stiff card, 6 x 8.25 inches





If anyone has a spare from the SF Arbus show or the Met, NYC, show, I'd love to have the ephemera that was handed out for those.

Also, if anyone has a copy of the invite for the New Doc show, 1967 at MoMA, NYC, scan and let's get it up.

Saturday, August 29, 2009

Paris

Paris

I was in Paris for a couple of days on my way south to the Bordeaux area and though my time wasn't my own, I did manage to document a few photographically interesting items as I moved through the city.

For example: It was very hot. So much so that any opportunity to cool off and not move much was welcomed. At one point, wilting yet walking, we glanced through the gate of a very high-walled area, saw deep shade and instinctively went towards it. It was the Montparnasse Cemetary where I found that Brassai and Man Ray have been buried. And I was a tourist after all so I had to photograph their graves.







It may be a little hard to read so I'll translate: the round monument on the left is Man Ray's headstone by Juliet. On it is written: Unconcerned but not Indifferent. Wonderful sentiment.


When it's time to close the cemetary, the watchmen ring bells as they drive around the grounds in golf carts. On my way out I found Sarte and Beauvoir's grave but didn't have time to find Brancusi, Baudelaire, Jean Seberg nor Tristan Tzara's graves. Among many other luminaries.



It's really a very pleasant place to hang out and the monuments to the deceased are about as elaborate as they get. (The above examples not withstanding.)


Again, while moving from A to B, I saw the following Cartier-Bresson related items. I had time to visit neither of the place nor the event advertised.




And while eating in a cafe on a side street, my wife pointed out a plaque on the wall across the street:



And finally, having nothing to do with photography really, but in case one needs another cool respite from the heat, there are the catacombs.



Something I found interesting about the catacombs is how the space came to be. Seems that the Parisians quarried the stone that they built the city with from under the city. In other words, they took the foundation of the city away, creating big open spaces and then placed the stone on the relatively thin layer of ground above those spaces. Gravity had it's way so they then had to build arches and supports and what not in the quarried spaces to hold up the city. When it came time to empty the graveyards, these spaces under the city seemed like a good place to store the bones.

Sunday, August 9, 2009

Milton Rogovin in the New York Times

Milton Rogovin by Fred R. Conrad/The New York Times/2009


The Sunday New York Times art section has a full page article on Milton Rogovin. It's a photo essay about him with text by Randy Kennedy and pictures by Fred R. Conrad. Online version here.

Also online at the Times is a slideshow of his photos, narrated by Rogovin, and produced by Fred. R. Conrad, Niko Koppel, and James Estrin.

Tuesday, August 4, 2009

Odds and Ends, Part 4

Landscapes, of one kind or another.

Simon Norfolk
Bonni Benrubi Gallery, NYC
2005
Stiff card, 7 x 5 inches





George Tice
Candace Dwan Gallery, NYC
2007
Stiff card, 8.5 x 6 inches





Adam Bartos
Yossi Milo Gallery
2007
Stiff card, folded once to produce an announcement that opens vertically







Wynn Bullock
Laurence Miller Gallery, NYC
2002
Stiff card, 9 x 4 inches




Todd Hido
Rose Gallery, Santa Monica, CA
2007
Stiff card, 15 x 9.5 inches
Folded once to produce a 7.5 x 9.5 inch horizontally opening announcement





Rose Gallery of Santa Barbara has some of the most elegantly produced show announcements around: they're large, well printed and nicely designed.