Saturday, May 29, 2010
R. G. Hoegler's Griechenland
I was looking through a book of photographs recently called Griechenland by R. G. Hoegler. Except for the fact that his first name was/is Rudolf, I couldn't find out much about the him. He was a German painter who fell in love with rural Greece and spent many years there before the start of World War II. After the war had interrupted his idyll, he returned to Greece to find that painting no longer spoke "the language of his heart." He took up photography and produced more than one book about Greece.
The book itself is elegant. The copy I have is pretty beat up but it is large, bound in nice cloth with gilt embossed lettering, with all tipped-in images. Quite handsome.
The work is mostly images of the Greek landscape, archeological ruins, sculpture, artwork, towns. All professionally produced and beautiful examples of their genre but for the most part, the book reads like art history (visually reads; the text is all in German which I can't read.)
What sets this book off is that there are more than a handful of images which are unusual and striking. And a couple that are in fact puzzling in the context of the overall theme of the book. Here are some samples:
I really don't know what to make of this image, the last in the book. It's a very odd way of ending this sort of coffee table travel book.
Wednesday, May 19, 2010
Aaron Siskind
Robert Mann Gallery, NYC
2003
Stiff, card stock, 10 x 6 7/8 inches, folded once to produce a 5 x 6 7/8 notecard
Robert Mann Gallery, NYC
2000
Stiff, card stock, 5 5/8 x 6 inches, printed one side only
2000
Stiff, card stock, 5 5/8 x 6 inches, printed one side only
The New Yorker
March 13, 2000
March 13, 2000
Glenn Horowitz Booksellers
East Hampton, NY
May 31 - June 24, 1997
Booklet: 6.25 x 8.75 inches, 24 pages, saddle-stitched with stiff blank wraps with dust jacket
East Hampton, NY
May 31 - June 24, 1997
Booklet: 6.25 x 8.75 inches, 24 pages, saddle-stitched with stiff blank wraps with dust jacket
This exhibition booklet features a twelve page essay by Peter Bunnell,
one reproduction (aside from the one on the title page)
and an exhibition checklist of 41 pieces.
one reproduction (aside from the one on the title page)
and an exhibition checklist of 41 pieces.
Phoenix Gallery, San Francisco
1976
Stiff card stock, 5.5 x 8.5 inches
1976
Stiff card stock, 5.5 x 8.5 inches
Monday, May 10, 2010
Toshio Shibata
How about some ephemera from the career of Toshio Shibata? Unfortunately, nothing from Japan, but here are some items from around the U.S.
Laurence Miller Gallery, NYC
1996
Stiff card stock, 9 x 3.75 inches, printed one side only
1996
Stiff card stock, 9 x 3.75 inches, printed one side only
Museum of Contemporary Art, Chicago
1997
17 x 11 inches folded once to form a 8.5 x 11 inch brochure
1997
17 x 11 inches folded once to form a 8.5 x 11 inch brochure
Laurence Miller Gallery, NYC
1998
Stiff card stock, 9 x 3.75 inches, printed one side only
1998
Stiff card stock, 9 x 3.75 inches, printed one side only
Laurence Miller Gallery, NYC
1999
Stiff card stock, 9 x 3.75 inches, printed one side only
1999
Stiff card stock, 9 x 3.75 inches, printed one side only
Gallery Luisotti, Santa Monica, CA
2002
Stiff card stock, 8.5 x 5.75 inches
2002
Stiff card stock, 8.5 x 5.75 inches
Laurence Miller Gallery, NYC
2003
Stiff card stock, 9 x 3.75 inches, printed one side only
2003
Stiff card stock, 9 x 3.75 inches, printed one side only
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