Tuesday, March 31, 2009

Shows at the Light Gallery

In 1971, Tennyson Schad opened Light Gallery in New York City. It was one of two galleries devoted solely to photography open at the time. What distinguished Light Gallery was it's aim of representing exclusively contemporary photographers. In time, the gallery showed Harry Callahan, Aaron Siskind, Frederick Sommer, Paul Strand, Robert Mapplethorpe, Garry Winogrand and many more.

The other historically important thing about Light Gallery was that it produced quite a few current gallery directors including Laurence Miller, Peter MacGill, Robert Mann and Harold Jones.

Here are some samples of announcements for exhibitions held at the gallery:



Front




Open




Back




Front


Open


Back





Front


Open


Back





Front



Open



Back



Thanks to Jeffrey Ladd for this post. You can see his work here and here.

Sunday, March 29, 2009

Lee Friedlander at the Corcoran

For the nation's bicentennial--1976--the Corcoran Gallery in Washington, D.C., commissioned eight photographers to shoot in and around the United States' capitol. Over the course of the year, the work was exhibited at the Gallery, two artists at a time. In conjunction with the exhibitions, eight booklets were produced, one for each artist's work. Lee Friedlander was one of the photographers and here is the booklet produced of his work for the show.

The project is described in greater detail on the second spread.

24 pages, including covers, saddle-stitched; 8 x 8 inches.

Front cover


First spread


Second spread


Third spread


Fourth spread


Fifth spread


Sixth spread


Seventh spread


Eighth spread


Ninth spread


Tenth spread


Eleventh spread


Back cover



Thanks and a tip of the hat to Jonathan Saunders, who contributed this post. His work can be found at www.iliketotellstories.com.

Thursday, March 26, 2009

Andre Kertesz, Part 2

Here are a couple of graphically interesting items from Andre Kertesz's recent history.

The first is from a show of his distortions that was shown at the James Danzinger Gallery, NYC, in 1997. What made this particularly interesting is that these were made before the better known "Nudes" (see Distortions, Alfred A. Knopf, 1976.)

I've included a notice about the show from New York Magazine. If, as the notice says, there were 12 prints, then the gallery managed to get almost half of the images onto the announcement. He and his model seem to be having a grand time which is, of course, not the issue with his female distorted nudes.

Following that is the announcement for a show mounted in 2003 at the Bruce Silverstein Gallery, NYC. The Silverstein Gallery has consistently exhibited interesting and historically significant bodies of work. Further, they reintroduced Mark Cohen to the art world. They presented a landscape show in 2004 called Topographics: Photographs from 1844 to the Present that is the best landscape show I've seen since the Between Home and Heaven exhibit at the Smithsonian in 1992. (Both shows by the way produced good accompanying books.) Besides which, the front and back images are very cool. (Incidentally, the Silverstein Gallery represents the Kertesz's estate.)

The block of text, while visually annoying, is a pretty good overview of his career. I promise nothing, but I'll try to put together a selection of his House and Garden work at some point.

And finally, a sweet nothing...


1997
(Heavy, glossy card stock, 14 x 7 inches, folded twice
to produce a 4.75 x 7 inch announcement)

Front


Opened once


Fully opened



Back


New York Magazine
November 10, 1997



2003
(Stiff card stock, 15 x 7 inches, folded twice to produce
a 5 x 7 announcement)


Front


Opened once


Fully opened


Back



2002
(6.5 x 3.5 inches)

Tuesday, March 24, 2009

Odds and Ends, Part 2


Postcard (7 x 5 inches)




(6 x 6 inches)




Postcard (7 x 5 inches)




Oversized postcard (8.5 x 6 inches)




Bookmark (2.25 x 8 inches)

Friday, March 20, 2009

Andre Kertesz, Part 1

2005 was a good year for Andre Kertesz viewing. From January through March, you could return time and again to admire the prints at the Howard Greenberg Gallery in NYC. April through June featured a selection his work under the title "...and the Paris Avant-Garde" at the Edwyn Houk Gallery, also NYC. And then, if you still hadn't had enough Kertesz, you could go to Santa Monica, CA, where the Rose Gallery featured a selection of his work. It was open from the end of June though the end of August.

I'm willing to bet that if we searched hard enough--around the country and around the world--we'd find shows to fill in the September through December period.


2005 (Stiff card stock, 5.25 x 7.75 inches)

Front


Back



2005
(Stiff card stock, 5 x 7 inches)

Front


Back




2005

(Stiff card stock, 22.5 x 9.5 inches, folded twice to produce
a 7.5 x 9.5 inch announcement)


Front


Opened once


Fully opened


Back


By the way, the Rose Gallery of Santa Monica has some of the nicest announcement cards around. They're all the same format for the most part, but that's fine since they're large, rich paper stock, well designed and nice printing. I have a couple of their cards and on some of them the images reproduced are almost 11 x 14 inches in size.